Teachers
Our team of internationally renowned teachers guarantees musical education at the highest level.
Margit Klaushofer | Voice Vienna/mdw
Margit Klaushofer, full university professor, studied at the Ludwig Maximilian University of Munich and at the University of Music and Performing Arts Vienna (mdw). She received an Award of Excellence from the Austrian Federal Ministry of Education, Science and Research.
She has had international performances as a lyric soprano in Germany, England, Spain, USA, Greece, Holland and Italy with concert and opera repertoire, numerous recitals and concerts with contemporary music (world premieres). Since 1988, she has been teaching at the mdw - since 1993, she has been a full professor of singing.
Professor Klaushofer has given master classes for Lied and oratorio interpretation and opera singing. She lectures on a great variety of singing styles, youth voice training, voice subjects and repertoire studies. She has been on the jury at Competizione dell'Opera, Prima la Musica, Beijing State Competition and many more.
Since 2013, she has been a member of the mdw senate and since October 2017 has been Head of the Department of Vocal Studies and Music Theatre at the mdw.
Graduates of the Klaushofer class are engaged at the state opera houses Vienna State Opera, Scala in Milan, Leipzig, Cologne, Düsseldorf, Braunschweig, Prague, Stockholm etc. Margit Klaushofer's students have won prizes at renowned international competitions such as the Mirijam Helin Competition, Operalia, Belvedere Competition, NYIOP New York and the International Antonin Dvořák Singing Competition.
Since his solo debut of the Brahms Violin Concerto at the Wiener Konzerthaus, the Viennese violinist Johannes Fleischmann has been appointed by the Austrian Ministry of Foreign Affairs as ambassador for the NASOM New Austrian Sound of Music program and as the artistic director of the renowned Palais Coburg.
His versatility and passion for chamber music are evident in multiple collaborations with celebrated musicians like Julius Berger, Andrej Bielow, Andreas Brantelid, André Cazalet, Akira Eguchi, José Gallardo, Eszter Haffner, Mariko Haselsteiner, André Heller, Christopher Hinterhuber, Hyung-ki Joo, Sophie Pacini, Michael Schade, Norman Shetler, Ryoma Takagi, Roger Vignoles and members of the Berlin and Vienna Philharmonic Orchestra.
Fleischmann has performed in famous concert halls such as Wiener Musikverein, Wiener Konzerthaus, the great hall of the Tchaikovsky Conservatory in Moscow, Philharmonie im Gasteig Munich, Alte Oper Frankfurt, Carnegie Hall in New York, Suntory Hall in Tokio and the Flagey in Brussels. Since 2019, he has curated his own series of chamber music concerts at the MuTh in Vienna.
Fleischmann is a member of the „NWCS - Neue Wiener Concert Schrammeln“ and a founding member of the „Symphoniacs“.
In 2021, Johannes Fleischmann released his CD „EXODUS - The Men Who Shaped Hollywood“ (Odradek Records) with music by E.W. Korngold and E. Zeisl, recorded with pianist Magda Amara and singer Günter Haumer. The critically acclaimed CD has since been nominated for the „Preis der deutschen Schallplattenkritik“ 2021 and most recently for the „International Classical Music Awards (ICMA)“ 2022.
Fleischmann currently teaches violin as an assistant to Univ.Prof. Elisabeth Kropfitsch at the mdw.
Johannes Fleischmann | Violin Vienna/mdw
Elisabeth Plank | Harfe Vienna/mdw
„an exceptional player, great command of her instrument, so much character & colour in her playing“ (BBC Radio Scotland) Power and fragility, virtuosity and emotion, creativity and tradition– Elisabeth Plank combines contrasts into a homogenous, brilliant sound experience in her one-of-a-kind performances.
The Austrian harpist has established herself as an internationally sought-after soloist and ambassador for her instrument. She presents the harp as a versatile and exciting instrument: rich in colours and textures, with its unusual repertoire and a broad stylistic spectrum. It is Elisabeth Plank’s ambition to redefine the harp’s repertoire, by performing and recording newly rediscovered pieces from the past, documented by many world premiere recordings, as well as collaborating with contemporary composers. Additionally she is an advocate of the historical double action harp. Her own arrangements have been published by Universal Edition and others.
As a recitalist or as a soloist with orchestra: Elisabeth Plank has performed in renowned concert halls and festivals in Europa, Japan and Latin America - such as Musikverein Wien, Wiener Konzerthaus, Harpa Reykjavík, Konzerthaus Berlin, Grafenegg and NOSPR, as well as international festivals, MDR Musiksommmer, moselmusikfestival, Bogotá International Music Festival, Dubai Opera or Festival de Música de Morelia Mexico. The harpist performs with orchestras such as ORF Radio-Symphonieorchester Wien, Barockensemble der
Wiener Symphoniker, WienerKammerOrchester, NFM Leopoldinum Orchestra, Iasi Philharmonic Orchestra or Thüringer Symphoniker.
Elisabeth Plank is a prizewinner in a number of international competitions and was honoured with the "Young Celebrity Master"-award of "HarpMasters". From 2019 to 2021 Elisabeth Plank has been artist-in-residence of Wiener Konzerthaus as part of the "Great Talent"-series. Besides being an selected artist for „Classical Futures Europe”, Elisabeth Plank has been chosenas musical ambassador for the “New Austrian Sound of Music” for 2023 and 2024 as first harpist ever.
Elisabeth Planks versatility also shows in her discography: her solo albums „L‘arpa notturna“, „1825– Echoes of Vienna on Historical Harp“ and “musings” are critically acclaimed „a thoughtful and beautifully played disc [...] Plank has a real command of light and shade. She‘s adept at creatingmusical perspective“ (Gramophone). In 2023 Mozart's double concerto with ORF Radio-Symphonieorchester Wien under the baton of Howard Griffiths for “Next Generation MozartSoloists” was released (alpha classics).
Elisabeth Plank was born in Vienna in 1991, and had her first lesson at age seven. She studied atthe University of Music and Performing Arts Vienna under the tuition of Adelheid Blovsky-Millerand Mirjam Schröder. In further studies she worked with Fabrice Pierre in Brescia.
The harpist also teaches as a lecturer at the University of Music and Performing Arts Vienna andat international masterclasses and workshops, and is founder and artistic director of Vienna Harp Days.
Acclaimed Danish cellist Toke Møldrup has performed at prestigious concert halls around the world through two decades. He is known for his versatility in both traditional cello repertoire and contemporary compositions, having premiered many solo and chamber pieces by modern composers, and as a soloist with prestigious orchestras such as the Danish Radio Symphony Orchestra and New Taiwan Symphony Orchestra.
Møldrup is also known for his experimental approach to classical music, including the Bach Ultra Marathon - a performance of all 36 movements of Bach's six cello suites played in between 36 kilometers of running, which was premiered in 2022 at the Bergen Festival as well as Frederiksberg Festival, Copenhagen and Artlink Festival, Belgrade. He has received numerous awards and accolades for his achievements in music, including the Queen Ingrid’s Honorary Award and the Augustinus Foundation’s Anniversary Grant. Møldrup is currently an associate professor at the Royal Danish Academy of Music and leads two annual music events, Svanekegaarden Cello Masterclass and Fynposium Festival.
He is a sought-after masterclass teacher, having taught at institutions such as the Manhattan School, the Royal Academy of Music, London and the Shanghai Conservatory of Music. He was principal cellist of the Copenhagen Philharmonic orchestra and a member of the acclaimed Paizo Quartet and the Danish Piano Trio and he has recorded extensively for various labels, including Dacapo Records, Bridge and BIS Records. He plays a 1697 David Tecchler cello, kindly lend to him by Augustinus Fonden.
Dominik Wagner | Double bass
hfm Würzburg
"Born in 1997 in Vienna, Dominik Wagner takes Bottesini's tonal beauty, vocal and melodic attractiveness so passionately seriously, and masters the required artistry with such breathy lightness that one would think the double bass is the softest-sounding and most virtuosic string instrument."
Dominik Wagner aims to liberate his instrument from its existence in the shadow of the cello andpresent new facets of the double bass. He succeeds not only with an engaging stage presence,impressive virtuosity, and vocal melodic delivery but also through his tireless efforts to expand therepertoire, whether through commissions or the search for rarities, he makes the double basssound in a new variety. For example, together with his father, the composer Wolfram Wagner, he arranged Dvořák's fragments of the Cello Concerto in A major into the Double Bass Concerto in D major, which he premiered at the KKL Lucerne in the summer of 2023.
In just his mid-20s, Wagner is a scholarship recipient of the Anne-Sophie Mutter Foundation and an ECHO Klassik winner. In 2022, he was awarded the Opus Klassik as Young Talent of the Year. He has also won prizes in almost all double bass competitions, including the Bradetich Foundation International Double Bass Solo Competition, the ARD International Music Competition, and the Eurovision Young Musicians Competition.
Dominik Wagner has already performed with renowned orchestras such as the Bavarian Radio Symphony Orchestra, the WDR Symphony Orchestra, the Deutsche Kammerphilharmonie Bremen, the Zurich Chamber Orchestra, and the Camarata Salzburg in concert halls in Berlin (Konzerthaus and Philharmonie), Vienna (Musikverein and Konzerthaus), Munich (Herkulessaal and Gasteig), Hamburg (Elbphilharmonie), and New York (Carnegie Hall), among others. He is associated with the Württemberg Chamber Orchestra as a WKO Young Artist.
In 2021, Wagner's first solo CD "Giovanni Bottesini - Revolution of Bass" was released by Berlin Classics. It was followed by two more albums, "Chapters - A Double Bass Story," duo repertoire with Lauma Skride, and "Double Bass Rhapsody," a set of his own arrangements for double bass solo and ensemble.
In addition to his solo activities, Dominik is a passionate chamber musician. He has played with musicians like the Emerson String Quartet, the Danish String Quartet, Isabel Faust, Tabea Zimmermann, Gerhard Schulz, and Elisabeth Leonskaja. He is also constantly searching for new timbres through new constellations. This has resulted in a duo with jazz double bassist Georg Breinschmid, as well as a clarinet trio with Vera Karner and Aurelia Visovan. With the latter, he won, among others, the Fanny Mendelssohn Förderpreis.
Wagner is also a sought-after pedagogue. Since 2023, he has held a professorship for doublebass at the University of Music Würzburg. Also, he regularly gives masterclasses in Europe and the US, which have led him to institutions like the Juilliard School New York, the Peabody Institute of the Johns Hopkins University, and the UNT Texas.
Dominik Wagner first learned the cello before switching to the double bass in 2007. His four years in the concert choir of the Vienna Boys Choir were a formative musical influence. From 2009 to 2015, he studied at the University of Music and Performing Arts Vienna, and from 2015 to 2022, he studied with Prof. Dorin Marc at the University of Music Nürnberg. Since 2023, he has been part of the Professional Studies program of the Kronberg Academy.
The composer Johanna Doderer was born in Bregenz in 1969. She studied composition and music theory in Graz with Beat Furrer and then in Vienna with Erich Urbanner, as well as film and media composition with Klaus Peter Sattler.
Johanna Doderer writes music that is immediately moving. She moves in her own unmistakable sound language away from the usual contemporary music. The artist has collaborated with excellent musicians for many years and her music is performed in the most important concert halls worldwide. These compositions are the expression of a non-conformist lifestyle that is permeated by the search for the essential. Among the 10 operas that have been commissioned in recent years are two short operas and a children's opera. Johanna Doderer is the first woman whose commissioned opera was premiered at the Vienna State Opera (Fatima, oder von den mutigen Kindern, 2015).
Her operas have been performed at the Landestheater Innsbruck, Wiener Festwochen, Theater an der Wien, Museumsquartier Wien, Staatstheater am Gärtnerplatz Munich, Oper Erfurt, Mecklenburgisches Staatstheater Schwerin, Staatsoper Stuttgart and Komische Oper Berlin, among others. The third opera is currently being created as a commissioned work for the Staatstheater am Gärtnerplatz under the directorship of Josef E. Köpplinger. This work, based on a libretto by Peter Turrini, will premiere in Munich in the fall of 2025.
Another of the artist's compositional focuses is on chamber music, orchestral music and, in particular, sacred music. In 2024, her mass for choir and orchestra was premiered by the Vienna Hofmusikkapelle. It was the first mass by a woman to be performed in this famous 500-year-old venue.
In recent years, the composer has received the Ernst Krenek Prize, the highest composition award of the City of Vienna, among other awards. Johanna Doderer currently lives about an hour away from Vienna in the peace and seclusion of the Schmidatal. Since 2018, she has been the director of the annual “hören:Sitzendorf” festival in the Schmidatal in June, which has been running under the festival title “Das klingende Schloss” since 2024. www.dasklingendeschloss.at.
Her works have been published by Musikverlag Doblinger Wien, Universal Edition Wien and by her own publishing house.
Johanna Doderer | Komposition
Christian Altenburger | Violin Vienna/mdw
Christian Altenburger studied at the University of Music and Performing Arts, mdw, in his hometown Vienna and with Dorothy DeLay at the Juilliard School in New York. At the age of 19, he debuted as a soloist at the Vienna Musikverein. He quickly secured engagements with top international orchestras such as the Berlin Philharmonic, the Chicago Symphony Orchestra, the Concertgebouw Orchestra Amsterdam, the Staatskapelle Dresden, the London Symphony Orchestra, the New York Philharmonic Orchestra, the NHK Orchestra Tokyo, the Vienna Philharmonic, and the Vienna Symphony, performing under conductors such as Claudio Abbado, Christoph von Dohnányi, Bernard Haitink, James Levine, Lorin Maazel, Zubin Mehta, Václav Neumann, Dennis Russell Davies, Wolfgang Sawallisch, and Franz Welser-Möst.
In addition to his solo career, chamber music became a significant focus of Christian Altenburger's artistic work. He is a regular guest at international chamber music festivals such as the Musikwoche Meiringen, the Casals Festival in Prades, the Naantali Music Festival, and the Allegro Vivo Festival, and he enthusiastically performs with colleagues and friends like Silke Avenhaus, Patrick Demenga, Ralf Gothoni, Heinz Holliger, Reinhard Latzko, Michel Lethiec, Andrea Linsbauer, Arto Noras, Jasminca Stancul, and Melvyn Tan.
From 1999 to 2005, he served as the artistic director of the Mondseetage Festival alongside actress Julia Stemberger. From 2003 to 2019, he was responsible for the artistic management of the Schwäbischer Frühling Chamber Music Festival, and since 2006, he has been the artistic director of the Loisiarte Festival, where he also defined the program concept. Recordings for labels such as Classic Amadeo, CPO, Guild, Japan Victor, Oehms Classics, ORF, Pro Arte, and Sony document the artist’s extensive repertoire.
After many years of teaching at the University of Music in Hanover, Christian Altenburger was appointed professor at the University of Music and Performing Arts in Vienna in 2001. Additionally, he regularly holds masterclasses at the International Summer Academy Mozarteum, the Allegro Vivo Festival, the Mendelssohn Festival in Hamburg, and Haus Marteau. His diverse professional activities are highly asked in juries at international competitions such as the Isang Yun Competition in Korea, the International Classic Violin Olympus Competition, the Spohr Competition in Weimar, the Michael Hill Competition in New Zealand, and the Lipizer Competition.
Formularbeginn
Razvan Popovici is initiator and artistic director of the SoNoRo Festival in Bucharest and the Chiemgauer Musikfrühling in Germany. In 2019, he was appointed one of the directors of the Europalia Festival in Brussels. Since 2023, Razvan has been a professor of Viola at the Royal Conservatory of Antwerp, Belgium.
Razvan has performed as a soloist in several European countries, including the Cologne Philharmonie, Festspielhaus Baden-Baden, Prinzregententheater and Gasteig in Munich, Théâtre des Champs-Élysées in Paris, South Bank Centre in London, and the Atheneum in Bucharest, with the George Enescu Philharmonic, Transylvania Symphony Orchestra Cluj, Orchestra del Teatro Comunale di Bologna, Bucharest Radio Orchestra, Chaarts Chamber Artists, and the Kobe Chamber Orchestra, under the baton of Roberto Abbado, Christian Badea, Shlomo Mintz, and John Axelrod.
He is a regular guest at European festivals, including the Lucerne Festival, Schwetzingen Festival, Vienna Festival Weeks, Enescu Festival, Rheingau Music Festival, Kuhmo Chamber Music Festival, Spoleto Festival, Festival Academy Budapest, and festivals in Delft, Jerusalem, Stavanger, Málaga, and Rolandseck.
His chamber music partners have been amongst others Nobuko Imai, Natalia Gutman, Radovan Vlatkovic, Daishin Kashimoto, Vladimir Mendelssohn, Benjamin Schmid, Christoph Prégardien, Mihaela Martin, Frans Helmerson, Enrico Pace, Gilles Apap, Elena Bashkirova, Juliane Banse, and Giovanni Sollima.
Razvan is co-founder and member of Ensemble Raro, with which he performs across Europe, Japan, and North America, including the Konzerthaus and Musikverein in Vienna, Wigmore Hall in London, Suntory Hall and Musashino Hall in Tokyo, Carnegie Hall in New York, Kennedy Center in Washington, Concertgebouw in Amsterdam, Teatro Colón in Buenos Aires, Philharmonie de Paris, and Bozar in Brussels.
Razvan gives masterclasses in Belgium, the Czech Republic, Romania, Italy, and Japan, and regularly teaches at projects organized by the Villa Musica Foundation.
Lydia Altenburger | Junior-Masterclass Violin
British Violinist and Violist Lydia Altenburger was born in London where she attended the Purcell School of Music then going on to study at the Royal Academy of Music studying violin with Ani Schnarch, Howard Davies and Marrianne Thorsen and piano with Druvi de Saram. During her studies she won numerous awards and prizes from the Leverhulme Foundation, Hattori foundation and Iris Dyer competition.
As a Violinist and Violist she regularly performs as a chamber musician with artists such as Reinhard Latzko, Esther Haffner, Patrick Demenga, Dorothy Khadem-Missagh Jennifer Stumm and the Franui music ensemble at festivals such as Schwäbischer Frühling ( Germany) Loisiarte , Con Anima, ( Austria) Meiringen Festival, Badhaus Classix ( Switzerland) and Prussia Cove ( U.K)
As well as performing, Lydia enjoys teaching both violin and viola at the Musikschule Hernals in Vienna. Her students a reciepients of the Junge Academy and prizewinners at competitions such as Prima la Musica. She regularly holds masterclasses at festivals including: Academia Allegro Vivo , Musiktage Lilienfeld, and World Music Masterclasses.
Professor for speech design at the Max Reinhardt Seminar, Institute of the University of Music and Performing Arts Vienna. He is an expert in the field of language, voice and expression; actor and performer.
Florian Rainers studied acting at the Max Reinhardt Seminar Vienna and at the Felix Mendelssohn-Bartholdy University of Music and Performing Arts in Leipzig.
His theatre engagements have taken him to the Schauspielhaus Leipzig, Stadttheater Augsburg, Hersfelder Festspiele, Schlossparktheater Berlin and the Cologne Opera.
He played in various classics such as Amphitryon (Kleist), Tellheim (Lessing), Macbeth and Lysander (Shakespeare), in comedies and interpreted musical roles such as Clifford Bradshaw in "Cabaret", Yves Montand in "Piaf" and Dr. Otto Siedler in "Im weissen Rössl".
Collaborations followed with Konstanze Lauterbach, Michael Sturminger and Carlus Padrissa/ La Fura del Baus, among others.
His work as a speaker includes staged readings and text performances, among others with Per Olov Enquist and Juli Zeh, as well as the premiere of the music theater project "Osiris - talking to the dead" at the Munich Music Biennale.
In addition, film and television work.
He taught speaking and language design at the Folkwang University in Essen and has been Professor of Language Design at the Max Reinhardt Seminar in Vienna since 2016. For many years he has taught artists of all disciplines in theaters, seminars and festivals throughout the German-speaking world.
Florian Reiners | Stage presence Vienna/mdw
Pianists
Manfred Schiebel
Born in Vienna, Manfred Schiebel received his first musical education at the age of 7 as he joined the "Mozart-Sängerknaben, Vienna". After his graduation, he studied piano with Thomas Kreuzberger, conducting with Karl Österreicher and accompaniment with Dr. Harald Goertz at the University of Music and Performing Arts Vienna (mdw).
Since 1991, Manfred Schiebel has been teaching at the MUK Music and Arts University of the City of Vienna (former conservatory), where he holds his title Univ.-Prof since 2017, and since 2002 also at the mdw.
A regular accompanist at masterclasses, Manfred Schiebel has worked with famous singing-teachers like Martha Eggerth, Helena Łazarska, Jewgenij Nesterenko, Krassimira Stoyanova, Leo Nucci, Walter Berry, Hilde Zadek, as well as given masterclasses himself for singers and pianists all over Europe, for example at The Ignacy Jan Paderewski Academy of Music in Poznan, at the Metropolia University in Helsinki, at the Music Academy in Tallinn, the Ionian University in Korfu as well as in Teheran, Havanna and Moskow.
He has repeatedly worked as an accompanist and coach with famous artists such as Edita Gruberova, Elina Garanča, Grace Bumbry, Mara Zampieri, Eva Lind, Mojca Erdmann, Daniela Fally, Ferruccio Furlanetto, Leo Nucci, Jewegenij Nesterenko, Samual Ramey, Peter and Paul Edelmann, Rainer Trost, the Viennese Boys Choir and many others, performing all over the world.
From 1994 to 2008 he enjoyed great success as the art director of the choral society „Young-Vienna“, performing worldwide in renowned concert halls and for the Royal Family in Thailand. He has since worked with different choirs, currently leading the choir of singing students at the mdw.
Since 2011, he has been the musical director of he chamber music festival „Klassik im Advent“ in Carinthia in Austria, where he regularly performs with his duo-partner Marcin Kozieł.
His interest in theater music, chansons and Wiener Lied resulted in numerous collaborations with actress Elfriede Ott. Concerts, CD-recordings as choir director, pianist and organist, as well as appearances on TV and radio broadcasting in several continents are rounding off his activities as pianist and conductor.
Yuna Hotozuka
Japanese pianist Yuna Hotozuka began her first piano lessons at the age of five with Miyuki Daicho, then with Ryoko Watanabe. She graduated with honor in 2018 with a Bachelor’s degree in Piano Concert Performance from the Toho Gakuen College of Music in Tokyo with Iku Miwa.
In October 2019 she graduated from the University of Music and Performing Arts Vienna with a Master’s degree in piano concert diploma with Wolfgang Watzinger, chamber music with Stefan Mendl and special focus on accompaniment with Meinhard Prinz and Srebra Gelleva.
Since October 2022 she has been enrolled in a postgraduate university course in piano at the mdw and graduated in June 2023.
Yuna Hotozuka is a prize winner of several Japanese piano competitions, including 3rd prize at the 1st K Piano Solo Competition, 4th prize at the 9th Tokyo Piano Competition and 5th prize at the 11th Beten Music Competition, as well as a finalist at the Dr.-Josef- Dichler-Competition 2023 in Vienna.
She has performed as a soloist and chamber musician in concerts at the Wiener Musikverein, the Wiener Konzerthaus, the Alte Rathaus, the Gesellschaft für Musiktheater, among others.
She attended master classes with Matti Raekallio, Elisabeth Leonskaja, Pascal Devoyon, Christoper Hinterhuber, Mikhail Voskresensky, Frantisěk Malý, among others.
Since 2023 she has been accompanist at the Allegro Vivo Summer Academy and since
2024 at the Vienna Master Classes and at the Showa University of Music.
Lorenzo Cossi
Born in Trieste, Italy, Lorenzo Cossi completed his studies at the "Giuseppe Tartini" Conservatory in his hometown under Giuliana Gulli, the sister of the renowned violinist Franco Gulli. He continued his studies with renowned musicians such as Nino Gardi, Elisso Virsaladze, Joaquin Achùcarro, William Grant Naboré, and Jerome Lowenthal. Additionally, Lorenzo Cossi had the opportunity to study at the "International Piano Academy Lake Como" and the "Accademia Chigiana" in Siena.
He was one of the five finalists in the "E. Honens International Piano Competition" in Calgary, Canada, where he impressed with his interpretation of Brahms' Piano Concerto No. 1 in D minor with the Calgary Philharmonic Orchestra conducted by Roberto Minczuk. "Cossi's technique and command of sonority were simply stunning. He produced lush, orchestral sounds and performed amazing feats, but always with a refined touch" ("Cincinnati Enquirer").
In 2011, he was one of the ten pianists selected worldwide to participate in the "Music Academy of the West Summer Festival" in Santa Barbara, California.
His repertoire spans from Baroque to contemporary music, with a strong interest in jazz and improvisation. Moreover, Lorenzo Cossi is also a gifted chamber musician who has collaborated with artists such as cellist Johannes Moser, violinists Federico Agostini and Geoff Nuttal, clarinetist Massimiliano Miani, and flutist Walter Auer.
The "Sinossi Duo" won third prize at the "Vittorio Gui Chamber Music Competition" in Florence, one of the most important competitions in this field. Lorenzo Cossi has been a prize winner at the "Concorso Rina Sala Gallo" in Monza, the "Concorso Giuliano Pecar" in Gorizia, and a two-time finalist at the prestigious international piano competition "Ferruccio Busoni" in Bolzano.
Since 2009, he has regularly performed with cellist Marianna Sinagra. As a soloist, he has appeared with renowned orchestras such as the Philharmonie Luxembourg, the Haydn Orchestra Bolzano, the Solisti Veneti, and many others.
Lorenzo Cossi teaches piano at the Gustav Mahler Private University in Klagenfurt.
Ryuzo Seko
Ryuzo Seko was born in Japan in 1988 and had his first piano lessons at the age of five with Miyako Inoue. Before pursuing music, he studied economics at the University of Tokyo.
In the fall of 2013, he started his piano bachelor's studies at the University of Music and Performing Arts Munich with Professor Thomas Böckheler. Ryuzo Seko completed both his Master's degree in Piano with Prof. Thomas Böckheler and an additional Master's degree in Liedgestaltung with honors under Rudi Spring. He actively participated in masterclasses with Elisso Virsaladze, Anna Barutti, Markus Bellheim, Matthias Kirschnereit, Herbert Schuh, and Oliver Kern.
Since 2017, Ryuzo Seko has been supported by the Yehudi Menuhin-Live Music Now Munich Foundation.
Since the fall of 2018, he has been working as a lecturer at the Hochschule für MusikWürzburg.
In 2023, Ryuzo Seko was an official accompanist at the ARD International Music Competition in the category of double bass.
Dunja Robotti
Born in Brussels, to an Italian father and a German mother, Dunja Robotti began her musical studies with Piotr Lachert and then at the Brussels Conservatory. She finished at the University of the Arts in Berlin under the tutelage of Hans Leygraf and Georg Sava. Dunja also attended courses in Art Song (Lied) interpretation by Dietrich Fischer-Dieskau and Aribert Reimann and took master classes with Vitalij Margulis, György Sándor and György Sebök.
Dunja Robotti has won numerous awards at international competitions, including 1st prize at “Claude Kahn” and “U.F.A.M.” in Paris, 3rd prize at the International Meeting of Pianists in Pointoise, France, and 5th prize at the “Città di Marsala”, Sicily; she was also a finalist at the “Franz Schubert und die Musik des 20. Jahrhunderts“ in Graz, Austria.
Dunja Robotti has regularly performed as a soloist and with orchestras since the age of 10. She continues to give concerts in chamber music and Lied with several great musicians, singers and ensembles throughout Europe and the Americas. She has performed in some of the most prestigious concert halls, such as the Berlin Philharmonic Hall, the Konzerthaus Berlin, the Kölner Philharmonie, Munich’s Herkulessaal and the Schubertiade Feldkirch.
She has made several radio recordings for WDR and Radio Bremen and performs on Sender Freies Berlin and Bayerischer Rundfunk.
Dunja Robotti has worked for several years as a collaborative pianist for the cello classes at the University of Arts in Berlin, e.g. with Wolfgang Boettcher and Jens Peter Maintz.
2009 she became head collaborative pianist for strings and 2016 she was given a charge professorship at the University of Music in Nuremberg.
She is also an official accompanist at the renowned master classes given at the Carl Flesch Akademie in Baden-Baden and in Vaduz, Liechtenstein and others. Her services for orchestral auditions are also in great demand.
A part from her pedagogical interest, Dunja is a member of several ensembles, such as the “Ensemble Mediterrain” and the „Duo Viennese“. She is also a founder of the Three-Piano-Ensemble “Xinowa Sej” with Zsuzsa Bàlint and Kyoko Hosono and the Pocket-Operette “Mann trifft Frau” (“A Man Meets A Woman”).
David Hausknecht
David Hausknecht received his first piano and conducting lessons at the Prague Music School. Since the age of 12, he has been invited to renowned piano master classes in the Czech Republic, Germany, Austria and Norway. In 2016, he completed his piano studies with a specialization in piano chamber music at the mdw - University of Music and Performing Arts Vienna.
He made his debut in 2006 with Mozart's last piano concerto KV 595 in Prague's Rudolfinum with the Czech Philharmonic under the direction of conductor Zdenek Macal, followed by a successful collaboration with the Prague Chamber Orchestra. His debut on CD followed in 2018 with works by Leoš Janáček on the composer's original grand piano, restored by the Hecher piano studio, on the Schwechtenstein-Records label.
Hausknecht gives concerts worldwide in a Lied duo and in various chamber music ensembles, for the Austrian Federal Ministry for Europe, Integration and Foreign Affairs (BMEIA), the Federal Ministry for Arts, Culture, Public Service and Sport (BMKÖS), the City of Vienna, Gustav Ignaz Stingl/ Fazioli, Exilarte Center of the mdw - University of Music and Performing Arts Vienna, Tonwerk - Forum for New Music and for the AKM/ austro mechana.
Since 2019 he has been working as a répétiteur at the Anton Bruckner Institute (mdw).
Hausknecht is a prizewinner of numerous international competitions, including Prague Junior Note (2004), International Carl Czerny Competition (2005), Virtuosi per musica di pianoforte (Usti nad Labem - 2007), Dresden Anton G. Rubinstein Competition (2009) and Brahms Competition Pörtschach in the categories piano solo and chamber music (2012 & 2013).